The Birds of St. Marks – Jackson Browne

There is something hauntingly romantic about the Jackson Browne song, “The Birds of St. Marks”.

“This is a song I always heard as a Byrds song, and that was even part of the writing of the song because Nico loved the Byrds. She even said on a couple of occasions, ‘Oh, you can play something like Jim McGuinn?’”

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“The Birds of St. Marks” was originally written in 1967 when Jackson Browne was 18 and returning home to California after a brief stint living in New York where he was recording with Nico. A time of innocence and lost love. A time of youth.

Nico: Chelsea Girl

Three of Jackson Browne’s first songs were recorded on Nico’s solo album. He played electric guitar on her recording as suggested by Andy Warhol to create a modern sound.

  • These Days
  • Fairest of the Seasons
  • Somewhere There’s A Feather

St. Marks Place Landmarks – East Village, New York City

St. Marks Place was a vibrant community in the late sixties and early seventies. It’s still a happening scene today.

#13 – Home to Lenny Bruce in the mid-1960s.[14]

#19-#25 – The Dom, Andy Warhol and Paul Morrissey turned The Dom into a nightclub in 1966, which served as a showcase for the Exploding Plastic Inevitable, Warhol’s multimedia stage show for the Velvet Underground.

#19-#25 – Became The Electric Circus. Billy Joel filmed his video, “A Matter of Trust” (1986) inside The Electric Circus.

131 Second Avenue (corner St. Marks Place), Gem Spa – Home of the Egg Cream 😉

#96 & #98 – The Led Zeppelin album Physical Graffiti features a front and back cover design that depicts these two buildings, which feature carved faces. Keith Richards and Mick Jagger are in front of same building in the Rolling Stones music video “Waiting on a Friend“.[14]

New Documentary about Gene Clark (The Byrds)

The ByrdsGene Clark is the subject of a new documentary, due for release this November.

The Byrd Who Flew Alone, The Triumphs And Tragedy Of Gene Clark includes new interviews with friends and former colleagues including David Crosby, Roger McGuinn and Chris Hillman, alongside previously unseen archive footage. The documentary will be released on November 1 through Four Sun Productions.

The Byrds-Roger McGuinn,Chris Hillman,Michael Clarke,Gene Clark,David Crosby(Victor Blackman/Hulton Archive)

The Byrds

Uncut Magazine, Take 186, November 2012

This month’s issue has a centerpiece story about The Byrds and their 1968 recording The Notorious Byrd Brothers. We learn how  the original group transformed, well actually imploded during the recording sessions at the end of 1967. It begins with Roger McGuinn and Chris Hillman firing David Crosby at his home (October 1967). Michael Clarke (drummer) and Gene Clark (singer-songwriter) leaving during mid-recording.


The Notorious Byrd Brothers ended the period of psychedelic experimentation and pushed The Byrds to develop the ground breaking country-rock album Sweetheart of the Rodeo. Gram Parsons joins The Byrds and the next phase  of their evolution takes flight.


Roger McGuinn at Infinity Hall Reviewed

Last night Rosemary and I saw Roger McGuinn at Infinity Hall in Norfolk, Ct. It was the perfect venue to witness this legendary guitarist and music historian.

Roger McGuinn began the evening by playing “My Back Pages” from behind the stage. That Rickenbacker signature sound filled the hall and we were immediately brought back to that halcyon era of the sixties, when the radio airwaves were filled with the sounds of The Byrds and Bob Dylan.

Roger McGuinn informed and delighted us for 90 minutes. He served as a music historian. He treated us like guests in his living room

What I like about Roger McGuinn is his dedication to his craft. He brandished several musical instruments. A banjo, a 12 string guitar (Martin D12-42RM), a 7 string guitar (Martin HD-7) that he got an amazing sound with and of course his Rickenbacker guitar which is his most famous sound.

File:Roger McGuinn - Natick, MA (2011).jpg

Roger McGuinn told of us his early days in New York City, with the Chad Mitchell Trio, then being offered double his wages to play for Bobby Darin.

I especially liked his recollections of the early days with The Byrds. It was cool to learn how he met David Crosby, Chris Hillman, Gene Clark and Michael Clark. I loved hearing about their début at The Troubadour in West Hollwood, CA in 1965.

File:The Byrds Logo.jpg

The story we liked the most was how Peter Fonda approached Bob Dylan to write a song for the movie Easy Rider. Bob Dylan wrote the first verse on a napkin and told Fonda, “Give this to McGuinn, he’ll know what to do with it.” So Peter Fonda flew the holy grail napkin back to Roger McGuinn in Hollywood and viola, we get “The Ballad of Easy Rider” the best track on the soundtrack 😉

The river flows
It flows to the sea
Wherever that river goes
That’s where I want to be
Flow river flow
Let your waters wash down
Take me from this road
To some other town

I was pleased that Roger McGuinn played two tracks from The Byrds, Sweetheart of the Rodeo. “You Ain’t Going Nowhere”  by Bob Dylan and “Pretty Boy Floyd” by Woody Guthrie. When I first read about this album in Rolling Stone in 1968 it really hit me what The Byrds had accomplished with the first country rock album.  This album also brought us the raw genius of Gram Parsons who only recorded this one album with The Byrds. I could feel McGuinn’s pride in making this seminal recording.


We picked up this autographed 8×10 black and white glossy photo of Roger McGuinn at the merchandise table in the lobby before the concert. I collect autographs and this was a very reasonable item for $5.00.

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