Hot Tuna Sets the Course Steady As She Goes

I love how Hot Tuna keeps on trucking. They released last month, Steady As She Goes, their first studio recording in over 20 years.  It is a stellar recording which captures and expands the Electric Hot Tuna sound I’ve come to relish and witness all these years 🙂

I’ve been playing Steady As She Goes through the DELL PC and the Bose Sound Dock . Microsoft Zune supplies the Hot Tuna recording as a Windows Media Audio file, 192kbps which is equal to Audio CD output level. I’ve resisted the urge to buy the digital download for the car as I am waiting on the deluxe edition 2-lp vinyl+ release sometime in May? This edition is mastered at half-speed and pressed on 180 gram HQ. I’m always a sucker for “deluxe editions”. This specialty package includes new artwork, which I love to hold and look at, plus a full CD of the album. It also has a temporary tattoo which I think is very cool 😉 Maybe the Fur Peace Ranch Store will sell them separately so I can wear this tattoo to their next concert (hint, hint).

There ain’t a clunker or uneven track on Steady As She Goes, all twelve tracks cook. I think it was an incredibly smart move of Jorma, Jack and company to head up to Woodstock, NY and record at Levon Helm‘s studio. They achieved a warm, engaging sound there. Larry Campbell‘s production ability continues to amaze and impress me. His co-operation with Hot Tuna is very clear throughout the recording. I hear his fiddle and guitar on various tracks.

What can I say about Jorma and Jack, I have dug their interplay ever since JA. I am gaining a strong appreciation for the contributions that Barry Mitterhoff (mandolin and many more instruments…) and Skoota Warner (drums) make as they enhance and extend Hot Tuna’s electric sound.

Hot Tuna

I especially love the vocals by Teresa Williams (she’s married to Larry Campbell) she asserts herself well. Teresa’s voice is a fresh dimension to Hot Tuna’s sound. She has a gutsy blues sound which counter balances Jorma’s vocals with distinction. Electric Hot Tuna growing into a virtual quintet is a cool prospect. I don’t feel compelled to compare Teresa Williams to Grace Slick at all. To my ears they are each unique vocalists, I love how each of them sings and emotes, personally I don’t think its fair to make such a comparison to either of them.

Congratulations to Hot Tuna and Red House Records you have a solid hit on your hands here. Job well done all!

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