Get a first-hand look at Pearl Jam’s journey from 1990 to the present and into the future through more than 200 artifacts directly from Pearl Jam band members and their Seattle warehouse, including instruments, stage props, original art, and a photo op featuring the towering letters from the front of Pearl Jam’s debut album, Ten.
The exhibition opens Saturday, August 11 and is included with your MoPOP general admission.
Pearl Jam is one of the top concert acts I have yet to witness live. They announced their 2013 Tour dates slated in North America for the fall. They have several concert dates near us and I hope I can score tickets to see them when they go on sale 10/27. I thought I had a paid Pearl Jam Ten Club Membership but alas I do not so I don’t qualify for the pre sale tickets (:. Keeping my fingers crossed I get seats for October in Brooklyn, Hartford or Worcester…
Soundgarden ‘King Animal’ Album Special Today at 9:00 pm ET
Soundgarden is back with their first album in over a decade and band members Kim Thayil and Matt Cameron premiere ‘King Animal’ on Sirius XM’s Pearl Jam Radio. Pearl Jam guitarists Mike McCready and Stone Gossard celebrate the occasion and sit down with the Soundgarden members to discuss the band’s beginnings in Seattle, how their unique sound was born and what it was like to be back in the studio to record their newest album.
Rebroadcast: Mon 11/12 11:00 am ET; Tues 11/13 5:00 pm ET
Twenty years ago this summer I was working for Microsoft Corporation. I experienced Seattle, Washington as a beautiful sprawling metropolis for the first time in the fall of 1992. Little did I realize it would become the most visited city (exclusive of New York City) I would travel to and cherish in the United States. I have been to Seattle 14 times in the past 20 years. Seattle is an exciting and vibrant place to experience. I developed an affinity for Pearl Jam that year as their album, Ten was gaining momentum in parallel to my new career. The city was living and breathing a unique music art form that Pearl Jam, Nirvana, and Soundgarden were evidencing to the world.
I love travelling back to Seattle and visiting the Experience Music Project, a Rock and Roll Museum in Seattle Center, next to the Space Needle and Seattle Center Monorail. The architecture of the building is amazing. The exhibits give extensive information about the Seattle music scene. It cements the understanding and the linkage Seattle, Washington has with rock music history. We are members of this museum and love the affinity we have with the art and pop culture it expounds.
I have spent time with the music and history of Pearl Jam. We had intended to attend the premier of the Cameron Crowe documentary Pearl Jam Twenty but Snowtober disrupted our plans by knocking out the power to the theater in our market. Biding my time I took advantage of my Barnes & Noble Christmas gift card that my loving wife gave me. I purchased the Pearl Jam Twenty book(at a 60% discount!) and the companion DVD. This will be my weekend music sojourn. I look forward to digging in deep to learn more about the musical evolution of Pearl Jam and the music of related groups in Seattle.
I find The Wall to be the creative apex of Pink Floyd’s collective musical genius. It also happens to be the split in the nuclei for Pink Floyd. The Wall is very much Roger Water’s baby, as it is his story.
The stress and strain on the band members during The Wall’s recording sessions are well documented. I won’t take the time here to get into the dynamics that took place. When The Wall collapses into rubble and the dust clears we witness a very different Pink Floyd standing in our midst.
I have always felt it was unfortunate that Richard Wright was forced to resign from the group by Roger Waters. I love his signature keyboard sound. He created a rich fullness with his textures of layered sound. In my estimation he took the Hammond B3 organ to amazing new heights. Of all the members of Pink Floyd I witnessed at The Dark Side of the Moon concert in 1973, Richard Wright organ playing etched himself the firmest in the my memories.
Much has been written and analyzed about The Wall. Certainly The Wall has taken on a life of it’s own over time. I am constantly intrigued by the dimensional variations The Wall has given us over the decades since it went on stream in 1979.
First as a limited series of live concerts in 1980 that created a major stir because a cardboard wall was constructed in front of the band, walling them in and then, being torn down at the end.
Next The Wall was turned into a film directed by Alan Parker and was released in 1982. The Wall broke new barriers with multimedia, as recorded film footage with actors was interspersed with wild animations from Gerald Scarfe (which we first saw on the double album cover art and as part of the live show). I a liken Scarfe’s graphic art to Ralph Steadman’s manic art.