‘Dolores’, a Carlos Santana Production, in association with 5 Stick Films, and THE DOLORES HUERTA FILM PROJECT, LLC (PBS), was nominated for a 2018 Peabody Award as a Documentary. Peabody Award winners and nominees will be celebrated at a red-carpet event on Saturday, May 18, at Cipriani Wall Street in New York.
Ken Burns is the leading documentarian of American history and culture. The film catalog he and his team have produced in partnership with PBS is America’s cultural repository.
Ken Burns and company are working on Country Music, a series scheduled for PBS viewing in 2019.
Country Music will chronicle the history of a uniquely American art form, rising from the experiences of remarkable people in distinctive regions of our nation. From southern Appalachia’s songs of struggle, heartbreak and faith to the rollicking western swing of Texas, from California honky tonks to Nashville’s Grand Ole Opry, we will follow the evolution of country music over the course of the twentieth century, as it eventually emerged to become America’s music.
It will be directed and produced by Ken Burns; written and produced by Dayton Duncan; and produced by Julie Dunfey—Emmy-award winning creators of PBS’s most-acclaimed and most-watched documentaries for more than a quarter century, including The Civil War, Lewis & Clark: The Journey of the Corps of Discovery, The National Parks: America’s Best Idea, The Dust Bowl, and many more.
Country Music will be a sweeping, multi-episode series, exploring the questions, “What is country music?” “Where did it come from?” while focusing on the biographies of the fascinating characters who created it—from the Carter family, Jimmie Rodgers and Bob Wills, to Hank Williams, Johnny Cash, Loretta Lynn, Charley Pride, Willie Nelson, Dolly Parton, Emmylou Harris, Garth Brooks and many more—as well as the times in which they lived. And like the music itself, Country Musicwill tell unforgettable stories—stories of the hardships and joys shared by everyday people.
We will trace its origins in minstrel music, ballads, hymns, and the blues, and its early years when it was called hillbilly music played across the airwaves on radio station barn dances. We will see how Hollywood B movies instituted the fad of singing cowboys like Gene Autry and Roy Rogers, and watch how the rise of juke joints after World War II changed the musical style by bringing electric guitars and pedal steel guitars to the forefront. We will follow the rise of bluegrass music with Bill Monroe and we will note how one of country music’s offspring—rockabilly—mutated into rock and roll in Memphis. And we’ll see how Nashville slowly became not just the mecca of country music, but “Music City USA.” All the while, we will note the constant tug of war between the desire to make country music as mainstream as possible and the periodic reflexes to bring it back to its roots.
A tie-in collaboration event designed to celebrate the PBS première of Ken Burn’s Country Music is scheduled for the Jazz at Lincoln Center 2018-2019 Concert Series.
APR 25–27, 8PM • ROSE THEATER
WYNTON MARSALIS AND KEN BURNS: COUNTRY MUSIC
Iconic documentarian Ken Burns and the Jazz at Lincoln Center Orchestra with Wynton Marsalis explore the shared roots found throughout American music. With never-before-seen clips from Burns’ upcoming Country Music series, audiences will learn the fascinating and often intertwined histories of songs made famous by artists such as Ray Charles, Johnny Cash, Willie Nelson, Merle Haggard, Dolly Parton, and others. Then hear brand new arrangements of those songs written and performed by the JLCO.
I’m watching a heartwarming music special on PBS CPTV, Ethan Bortnick: Generations of Music. Ethan Bortnick’s enthusiasm is magical. I am honored to discover and share him. He is equally vibrant and charismatic. I love his mission and accomplishments. He has raised over $50,000,000 for charities
I believe that children are our future. A future anchored and secured through Ethan’s artistic vision.
I find it interesting when we are allowed a further look inside the recording process. I can’t wait to see what is in store with these wide ranging eight PBS episodes.
Sir George Martin had a last project: a documentary series on the impact of recorded music. Unfortunately, the legendary Beatles producer died before the final work was completed, but his spirit imbues every frame of Soundbreaking: Stories From The Cutting Edge of Recorded Music, an 8-part series that airs on PBS beginning Nov. 14.
Each hour-long episode tackles a different topic, including recording vocals, the electrification of instruments, the artistry of sampling and the rise of the music video.
Public television continues to be one of the best avenues of American music specials.
Frequently referred to as “the Mount Rushmore of country music,” The Highwaymen – Willie Nelson, Waylon Jennings, Johnny Cash, and Kris Kristofferson – were American country music’s first bona fide supergroup, an epic quartet comprised of the outlaw country genre’s pioneering stars. An essential musical and cultural influence, the Grammy-winning group was active from 1985 – 1995: recording three albums, touring the world and acting in the movie Stagecoach (1986). American Masters – The Highwaymen: Friends Till the End, premiering nationwide Friday, May 27 at 9:00 p.m. ET on PBS (check local listings) as part of the 30th anniversary season of THIRTEEN’s American Masters series, explores how these men came together and the fruits of their historic collaboration.
The Highwaymen Live – American Outlaws, a new 3 CD/1 DVD or Blu-ray box set of concert performances — including the complete Nassau Coliseum concert film seen in the American Masters documentary — will be available May 20 fromColumbia/Legacy, along with a new single-disc compilation CD, The Very Best of The Highwaymen. The Highwaymen: Live At Nassau Coliseum (a special broadcast edit of the concert film featured on The Highwaymen Live – American Outlaws) is part of special programming premiering on PBS stations as part of June Pledge 2016.
I visualize the light at the edge of the world through three unique lens. Light defines our greater purpose as we travel ever towards it.
The first unique lens reveals rich textures of sound swirling in depths of dimensionality. The origin of the light at the edge of the world is an exquisite, ethereal instrumental written and composed by jazz saxophonist, Pharoah Sanders. Santana put me on to this jazz composition when it was included on the Hymns for Peace DVD filmed at Montreux Jazz Festival in 2004.
The video clip features Salvador Santana on piano ably leading an eclectic quartet that features Ravi Coltrane on tenor sax, Benny Rietveld on bass and Dennis Chambers on the drums. Once you connect with this instrumental you will embark upon a special journey.
While the first lens is still open I share a complimentary video of a hoped for documentary about Pharaoh Sanders.
The second lens opens wider to introduce us to worldwide indigenous cultures that have been reported studied, photographed, filmed and documented by the provocative mind of anthropologist, ethnobotanist, Wade Davis.
“The measure of a society is not only what it does, but the quality of its aspirations. – Wade Davis”
Wade Davis authored a book The Light At The Edge Of the World, A Journey Through The Realm of Vanishing Cultures. I happen to own and treasure this book. Again a direct influence from Santana, from the bookshelf of Carlos Santana.
Wade Davis produced, wrote, and hosted Light at the Edge of the World, a four-hour ethnographic documentary series shot in Rapanui, Tahiti, the Marquesas, Nunavut, Greenland, Nepal, and Peru.
Wade Davis is someone you want to listen to speak as well as read his books, study his photographs. You will gain such an appreciation for the preservation of societies, languages, cultures when you listen to his passionate articulations.
Here is Wade Davis talk from TED Ideas Worth Spreading, be ready to deeply educated. altered and changed when you open your mind and heart to indigenous cultures and how we are all one.
The third lens opens to a 1971 movie entitled The Light At The Edge of the World, starring Kirk Douglas, Yul Brynner and Samantha Eggar. The movie is based on the adventure work by Jules Verne 1905, The Lighthouse at the End of the World.
I’ll leave the connecting of the dots to these three unique lens about The Light At The Edge of the World to your discretion. Feel free to leave a comment about this blog post and let us know what you see the dots connecting to and why 😉