Johnny Winter: Down & Dirty, the definitive, feature-length documentary by acclaimed Lemmy co-director and producer, Greg Olliver, will be available worldwide on March 4, 2016, on DVD and iTunes. The package will feature never-before-seen photos and bonus footage, including extended interviews and his final studio performance, a solo resonator version of the Son House classic, ‘Death Letter.’
Produced independently through Secret Weapon Films in NYC, director Greg Olliver was welcomed into the Johnny Winter family during the final two years of Johnny s life, capturing the making of his Grammy-winning Step Back (Best Blues Album, 2015), and traveling the world from Beaumont to Hong Kong. Winter continued to perform over 200 sold out shows a year until his death on tour in Switzerland in 2014.
The film also features Clive Davis, Edgar Winter, James Cotton, Billy Gibbons, Warren Haynes, Luther Nallie, Joe Perry, Tommy Shannon, Susan Tedeschi, Derek Trucks and more.
The news of Johnny Winter‘s death was a total shock. I had watched in earnest as Johnny Winter staged his superstar-backed comeback with the forthcoming album, Step Back. Alas that’s all changed now…
My favorite memory of Johnny Winter is his high energy yell, “Rock and Rolllll” and the driving rhythm on “Johnny B. Goode” from the Live Johnny Winter And album.
Rest In Peace Johnny Winter you brought it to your fans in spite of your pain and struggle. We’re all the better for your raw rock and roll energy and eloquent bluesmen ship.
There is a lot happening with Johnny Winter as he timetables toward his 70th Birthday.
First on the list is the 70th Birthday Celebration Johnny Winter with Special Guests at B.B. King’s Blues Club and Grill on 42nd Street in New York City. This event takes place on Sunday February 23rd, Johnny’s actual birthday.
Second on the list is the release of the 4 Disc Box Set ‘True to the Blues: The Johnny Winter Story’ on February 25th. Pre-sales orders accepted at amazon.com
Third on the list is the documentary, “JOHNNY WINTER: DOWN & DIRTY” which will have it’s world première in the “24 Beats Per Second” category of the South by Southwest Film Festival (March 10-14). Johnny Winter, his band, and film producers Greg Olliver & Jeremy Mack will be present at the screening along with special guests.
I received my Leslie West Still Climbing Audio CD and Poster today. Very cool of Leslie West and Mascot Label Group to ship early to pre order customers. I love that I have the four days to hear this rocking album before it officially drops for all to buy and hear on Tuesday October 29th.
The color scheme for the trifold CD cover is soothing with its brown and orange space planets theme. It always helps to get liner notes to dig into each recording more thoroughly.
Still Climbing Track Listing and Interpretation
1. Dyin’ Since The Day I Was Born (Leslie A. Weinstein & Jon Tiven)
Leslie West is joined by special guest Mark Tremonti on guitar
This song cooks and I love the way it builds, its an energy rocker that hooks you good.
2. Busted Disgusted Or Dead (Leslie A. Weinstein & Jon Tiven)
Leslie West kicks it abetted by Johnny Winter‘s 2nd half of guitar solo
The silkiness cross-thatched with the grittiness meshed totally works. The track produces an effective layered sound. Johnny Winter pushes out a slide guitar passage that grabs you and doesn’t let go. I have such total respect for two rock and roll survivors carrying on the tradition in tight formation.
I find myself watching this show some evenings. I like the original music written and performed. I’m glad Leslie West covered it and helps share this music with his fans.
4. Not Over You At All (Leslie A. Weinstein, Jennifer-West Weinstein)
The first of four husband and wife collaborations. I love the support and sharing that takes place here.
I was subsequently sad to learn that Arno Hecht (Uptown Horns) who plays sax on this track daughter Ava died recently. Leslie opens his heart to her , stating Arno’s daughter would be very proud of him. He then states this is his favorite song.
5. Tales of Woe – (Leslie A. Weinstein, Jennifer-West Weinstein)
We learn how Leslie West and his wife Jennifer cope with the loss of Leslie’s leg due to diabetes. His road back is an encouraging one for all of us to be proud of for them both.
6. Feeling Good (Anthony Newley & Leslie Bricusse)
Featuring Dee Snider (Who I loved on The Apprentice)
An old chestnut takes on new life between Leslie and Dee’s respective energies and mutual appreciation.
7. Hatfield or McCoy (Leslie A. Weinstein, Jennifer-West Weinstein, Joseph M. Piazza)
8. When A Man Loves A Woman (Calvin Lewis & Andrew Right)
Featuring Johnny Lang
I have seen Johnny Lang live twice. He posses that true conviction when he plays. I love how he sucks you in. Well played gentlemen.
9. Long Red (Leslie A. Weinstein, Felix Pappalardi, John Elis Ventura, Norman Landsberg)
Featuring Larry West Weinstein, Leslie’s brother who played with him in The Vagrants
Long my favorite Mountain song, I couldn’t wait to hear the updated version on Still Climbing. Leslie West did not disappoint. I found myself rocking and drumming harder than ever.
10. Don’t Ever Let Me Go (Leslie A. Weinstein, Jennifer-West Weinstein)
Featuring Dylan Rose
11. Reverend Jones Time, an Over The Rainbow Instrumental
Leslie West – Guitar, Bass – Rev Jones
But just don’t take my word about this new recording. Watch Leslie West explain track by track what he accomplished with others with Still Climbing.
Leslie West has my deep respect for pushing past his physical challenge continuing to record and perform the rock and roll music that he does the best. Later this month, October 28th to be specific, Leslie West’s latest recording, Still Climbing will drop.
Leslie West’s ‘Still Climbing’ Track Listing
1. ‘Dyin’ Since the Day I Was Born’
2. ‘Busted, Disgusted or Dead’
3. ‘Fade Into You’
4. ‘Not Over You at All’
5. ‘Tales of Woe’
6. ‘Feeling Good’
7. ‘Hatfield or McCoy’
8. ‘When a Man Loves a Woman’
9. ‘Long Red’
10. ‘Don’t Ever Let Me Go’
11. ‘Rev Jones Time (Somewhere Over the Rainbow)’
I first discovered Leslie West in 1969 when I was attending radio school in New York City. I was walking to Grand Central Terminal and as I was prone to do I stopped by The Record Hunter on 5th Avenue to look at the record albums displayed in the window. That particular day I saw Leslie West, Mountain and recalled that Scott Muni on WNEW-FM was playing a track from it called “Long Red’. I went inside and bought Leslie West’s solo LP. I played it when I got home and the sound of “Long Red” filled my senses. I’ve loved that song ever since as I melded with the Calliope organ and Leslie West’s gritty vocal.
I am further excited by the fact that Leslie West has rerecorded “Long Red” for Still Climbing with his brother and former Vagrants-mate Larry West on bass!
“It was time for me to let people hear that song the way I do it now,” he explained. “I used a B-3 organ on it again, but this time it has a lot more balls.”
Here is another track from Still Climbing as we eagerly expect the final release. Can’t wait for this album to further rock the music of our heart.
Check out the press release here for more information.
Thanks Leslie West for the rocking sound you continue to boldly give us all!
Oh and please be sure to follow Leslie West’s Official WordPress Website, http://lesliewestofficial.com/ it’s a top shelf music site 🙂
The original album, Super Session has begat several variations on a theme. Starting with the original, genius sessions in 1968, then moving through time Al Kooper and Columbia Records (Sony) have shown us the extended value(at times) of more collaboration, live recordings, and remastering efforts.
We begin the Super Session catalogue with the original pressing on vinyl for Columbia Records. I bought this record in the summer of 1968. I took it to high school with me often during senior year (68-69). I played it many days in my art class where we had a hi-fi system for music as a back drop. I played it the last day of high school in the gymnasium as the prom committee decorated for our prom, The Magic Carpet Ride (1969). The blues filled the gym as we seniors reflected on the last day of class. We booked the superstar band from Elektra Records, Rhinoceros to play as our prom band. They were awesome.
1) Super Session, Columbia Records CS 9701, released July 22, 1968
Sony released Super Session as a 24-bit remastered CD on April 8, 2003. I bought a copy and I was disappointed with the result. Yes like most reissues there were extra tracks, even editions of the original tracks without horns (which I abhor). But I found it overkill and a wasted effort.
What frosted my cake even more was that Al Kooper remixed Super Session in 5.1 SACD. But Sony closed the SACD division and this recording along with Blood, Sweat and Tears, Child Is The Father To Man sit on a shelf, collecting dust somewhere. Such a pity.
In late 2004 Al Kooper released this statement:
To the best of my knowledge, based on an unnamed source, the new head of SONY/BMG shut down the 5.1 SACD department and let everyone go. A year and a half ago I remixed Super Session and Child Is Father to the Man for them in 5.1 SACD. They both came out incredible and so I mastered them with Bob Ludwig. Now it seems they will languish on the shelves under the current administration of SONY/BMG.,……..Typical, in soooo many ways.” 
2) The Live Adventures of Mike Bloomfield and Al Kooper, Columbia KGP-6, 1969
I was very excited in 1969 when I read in Rolling Stone Magazine that Al Kooper and Mike Bloomfield had a live recording coming out based on the Super Sessions. I haunted To-Ve’s Record Shop in Norwalk until that recording hit the wall rack. I loved the feel of that live recording immensely. It also introduced me to a very young Carlos Santana who stepped in to play for Mike Bloomfield when insomnia placed him in the hospital during the Fillmore West gig.
The cover painting by Norman Rockwell is mesmerizing. Here is a picture of Al, Norman and Mike together.
3) Fillmore East: The Lost Concert Tapes 12-13-68, Legacy CK 85278, April 8, 2003
The tapes for Super Session Live (East) were lost for 30 years. Fortunately they were recovered and we have the Fillmore East gigs to listen to now. The sound of the Fillmore East is unequalled in the history of live music recordings. The extra juice of this recording is that Johnny Winter was, if you will excuse the expression, white-hot in those days. Mike Bloomfield introduces Johnny Winter to the audience and he rips it up, Texas blues style.