Great documentary, See It! I was totally absorbed.
Great documentary, See It! I was totally absorbed.
This has been a week for unveilings from genius musician vaults. Thursday brought the news of the last archive(?) of Jimi Hendrix unreleased recordings known as Both Sides of the Sky.
Yesterday, Columbia/Legacy Recordings announced the release of Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 on March 23, 2018. Five Legendary 1960 Concerts (Paris, Stockholm, and Copenhagen) Officially Available For First Time in a New Box Set in Latest Volume in Award-Winning Miles Davis Bootleg Series.
The historical perspective these live recordings offer is that they mark the last time Coltrane served as Davis’ sideman making this 4-CD set a must add to my collection.
Please follow this particular link from the official Miles Davis Web site to gain valuable insight about this monumental box set.
What I did not know until this morning is that Rudy’s art is featured in animated form in the Coltrane documentary. I am eager to see this artistic interpretation in the film one day. I can’t get to the SVA Theatre in NYC on Thursday night, 11/17 but perhaps you, my readers can attend. If you’re into art , jazz, and Coltrane it will be a religious experience. The documentarian John Scheinfeld will be in attendance and might be speaking after the showing (just my perception).
Below is a spiritual rendition of John Coltrane by Rudy Gutierrez that appears in the documentary. Don’t you love the colors and the warm, healing feeling he communicates through his representation of Trane. 🙂 I can picture this art work hanging in the Saint John Coltrane Church in the Fillmore District in San Francisco, California.
A Love Supreme, Supreme, Supreme
“Chasing Trane” reveals the critical events, passions, experiences, and challenges that shaped the life of John Coltrane and his revolutionary sounds. It is a story of demons and darkness, of persistence and redemption. Above all else, it is the incredible spiritual journey of a man who found himself and, in the process, created an extraordinary body of work that transcends all barriers of geography, race, religion and age.
The film narrated by Academy-Award winner Denzel Washington makes its début at the Toronto International Film Festival on Friday, September 9th.
John Scheinfeld, whose directing credits include 2006’s The U.S. vs. John Lennon and 2010’s Who Is Harry Nilsson (and Why Is Everybody Talkin’ About Him)?, wrote and directed Chasing Trane. No theatrical release date is set yet.
On December 9th, 1964, John Coltrane and his classic quartet (Elvin Jones, Jimmy Garrison and McCoy Tyner) went into the legendary Van Gelder Studio in New Jersey and recorded A Love Supreme–the four-part suite that has influenced musicians and reached generations of fans far beyond the jazz world. Far less known is the fact that Coltrane, his classic quartet and two additional musicians–the legendary saxophonist Archie Shepp and second bassist, Dr. Art Davis–returned to the studio the next day to cut the opening part of the suite again. Until now, the complete picture of what happened on those two days, including all takes, overdubs, and even studio chatter, has been unavailable.
That will change on November 6th when Verve Music Group proudly releases A Love Supreme: The Complete Masters, to celebrate the 50th anniversary of the release of this seminal recording. It will include this alternate version, taken from reels from the personal collection of John Coltrane and originally recorded in incredible sonic detail by Rudy Van Gelder, along with revised notes and detailed information on these amazing lost sessions.
A Love Supreme: The Complete Masters will be available in two formats: a 2-CD set, including the original best-selling album, along with unreleased mono “reference” versions of two tracks, owned by Coltrane himself, and seven unreleased performances from the two sessions. A 32-page booklet features an extensive essay by Ashley Kahn, noted producer, instructor and author of A Love Supreme: The Story of John Coltrane’s Signature Album, rare photographs from the sessions and all of Coltrane’s surviving musical sketches and written elements for the groundbreaking, four-part suite, including the words that would become the poem, “A Love Supreme.”
A 3-CD “Super Deluxe Edition” of A Love Supreme: The Complete Masters adds what is currently the only documented live recording of the album, a spirited, impromptu performance from the Festival Mondial du Jazz Antibes in July 1965, which had been previously available on a 2002 edition of the album. This 3-CD set is presented in a larger format that includes additional information about the live material and a personal introduction by Carlos Santana.
Ashley Kahn writes in the essay to A Love Supreme: The Complete Masters: “Fifty years after its release, voices that speak of divine light and supreme love have trouble being heard. Lines that divide people run deep. At odds with itself, the world lacks the spirit to ascend and is needful once again of a spiritual recharger like A Love Supreme. The sound and message of John Coltrane remain more relevant than ever.”
The intimate and long-awaited memoir of guitar legend Carlos Santana
In the realm of guitar gods, Santana stands alone for what’s come to be called his “universal tone”-both the fact that you can recognize a Santana song from just one note and the fact that Santana is well known to believe music and soul are interconnected.
In the category of major rock memoirs yet undone, this is at the top-a big autobiography by one of the most mysterious and influential musicians of the last 50 years.
From growing up dirt poor in Mexico and suffering abuse to becoming a lowly dishwasher in the US with a hot guitar hand, to a person whom you might almost think is perpetually in a state of nirvana or at least bliss, this is the story of a fascinating man who brings the ideal combination of storytelling gold and a major marketing machine.
This is one of the most sensory (and sensual) major rock bios you’ll ever read. His voice comes through, it’s deeply honest and frank, and from imagining the wisps of smoke from a long gone Miles Davis before Carlos’s shows to describing the depths of his connection to sound, Santana brings a remarkable book to his huge following this fall.
The C in Carlos stands for collaboration. The Santana album, Supernatural commenced Carlos Santana’s collaboration era. All of his next albums evidence that cooperative spirit. It stands to reason that Carlos Santana would collaborate his personal journey with his two close music writer/historian friends, Ashley Kahn and Hal Miller. Carlos Santana, Ashley Kahn and Hal Miller share a common bond, the spirit of jazz embodied by Mr. Miles Davis and Mr. John Coltrane. I feel it is important that my readers gain an appreciation for the backgrounds of these two prominent music journalists. It will increase your anticipation of the quality of the biography we will receive later this year.
I also point you to a Web article about Ashley Kahn interviewing Carlos Santana at the New Orleans Jazz Fest 2014.
Ashley Kahn has authored three of the best jazz books you will ever read. Two of those three books are about major jazz albums, Kind of Blue by Miles Davis and A Love Supreme by John Coltrane. Each book is a masterpiece of research, rich in history and facts about these classic recordings. I own both books, signed and I love to read them as I listen to these two amazing albums to gain more insight about the respective jazz geniuses.
Kind of Blue: The Making of the Miles Davis Masterpiece, foreword by Jimmy Cobb, 2001, Da Capo Press, USA, ISBN 0-306-81067-0
A Love Supreme: The Story of John Coltrane’s Signature Album, foreword by Elvin Jones, 2002 for the first edition, Viking Penguin, USA, ISBN 0-670-03136-4
The House That Trane Built: The Story of Impulse Records. (2006) W. W. Norton, ISBN 0-393-05879-4
Ashley Kahn is also a prolific liner note writer for a variety of music reissue labels, for which he has earned three ASCAP/Deems Taylor awards, and two Grammy nominations.
Ashley Kahn presently is an adjunct professor at New York University, teaching various courses for the Clive Davis Department of Recorded Music in NYU’s Tisch School of the Arts. I’d love to attend one of his courses.
Hal Miller is a longtime personal friend of Carlos Santana. Hal Miller is Carlos’s documentarian. Hal is a subject matter authority on Carlos Santana and the world of jazz. Hal has authored insightful liner notes for recordings in the Santana catalogue. Hal’s liner notes proved noteworthy for the Santana reissues, Caravanserai, Love Devotion and Surrender, and Moonflower.
Hal Miller has documented many of the Santana concert tours which you can read on the Santana.com Tour Blog. Hal Miller is also a great photographer, look here for you many of his Santana photographs.
Hal Miller shuns publicity on the InterWeb which I respect about him. This Website had the best tribute and information links about Hal.
It’s Sunday and the music of our heart turns to the spiritual faith of what it has been taught by those who channel God into our being. What better way to acknowledge the almighty than to receive His spirit through “A Love Supreme” by John Coltrane.
Blue Note Releases Six Jazz Classics In High Definition Audio
Blue Note/EMI is pleased to announce today’s high definition, master-quality audio release of six classics from the label’s legendary catalog on HDtracks (www.HDtracks.com). John Coltrane’s Blue Train, Eric Dolphy’s Out To Lunch, Herbie Hancock’s Maiden Voyage, Wayne Shorter’s Speak No Evil, Horace Silver’s Song for My Father, and Larry Young’s Unity have been digitally remastered for the first time in 96kHz/24bit and 192kHz/24bit from their original analog multi-track masters. All of the albums are accompanied by their original sleeve notes plus additional photos and newly-written package essays.
Blue Note president Don Was says, “In preparing these hi def remasters, we were very conscientious about maintaining the feel of the original releases while adding a previously unattainable transparency and depth. It now sounds like you’ve set up your chaise lounge right in the middle of Rudy Van Gelder’s studio!”
HDtracks is a high-quality music download service offering a diverse catalog of music from around the world. HDtracks offers both AIFF and FLAC lossless files, and select titles are available in ultra-high resolution 96khz/24bit files, providing audiophiles who demand the highest quality recordings with an online experience not available anywhere else.
Today, Friday September 23, 2011, we celebrate the 85th Birthday of John Coltrane.
As a Sirius/XM subscriber and rabid jazz music fan, I am enthralled that Sirius XM is offering a four-day music tribute to John Coltrane. It’s sympatico that Carlos Santana is hosting this event. Carlos Santana is a subject matter authority on Coltrane. He is directly responsible for expanding my field of vision for John Coltrane’s music. I welcome the further education of gaining valuable insights from Carlos Santana, Cindy Blackman-Santana, Ravi Coltrane and others during the width of this broadcast.
I have attended 16 Santana concerts and it never fails to touch my spiritual core when the Santana Band performs, “A Love Supreme”. I lift my arms in praise of God during the chanting of this hymn. It is a magnificent way to thank God for the gifts of spirituality and healing power of music channeled by John Coltrane and Santana.
I highly recommend the book A Love Supreme: The Story of John Coltrane’s Signature Album by Ashley Kahn. It is the definitive work about jazz’s most definitive recording.
If you study the book site Web link closely you will see that there was an event at Joe’s Pub in NY City on November 12, 2002 which was a tribute to the reissue of the Deluxe Edition of A Love Supreme. We attended that event and I was very honored to meet Alice Coltrane, Ravi Coltrane and Ashley Kahn that evening.
I felt the most wonderful spiritual vibe when I shook Alice Coltrane’s outstretched hand backstage. She had not seen the CD packaging before I asked her to sign it for me. She was so pleased to have a physical copy as she shared it happily with her family and friends. Then she asked me, “May I borrow your silver pen to sign other autographs? I said, “Certainly, Alice”. She made a special point of saying to me, “Do come back for it in a little while.” Which I did. Her smile was so radiant, I still beam thinking of her aura.