I like the collaborative sound that Danger Mouse (Brian Burton) and James Mercer (The Shins) achieve on their second studio album, After the Disco.
They made an appearance on The David Letterman Show to kick off The Beatles 50th Anniversary celebration at the Ed Sullivan Theater. I loved how they incorporated Ringo Starr and The Beatles on a black & white TV as the video interlude betwixt them on their haunting rendition of “And I Love Her”.
We bought tickets for the David Byrne and St. Vincent 2013 Tour. They will be appearing at the Shubert Theatre in New Haven, CT on June 20th. We caught their collaboration last September at The Beacon Theatre in New York City. We loved the event so much that we had to see them perform together again 🙂
I trust you feel the excitement of their distinctive brass band sound watching this video of their recent appearance on the David Letterman Show where they perform, “I Should Watch TV” from the Love This Giant recording.
Speaking of David Byrne, he and “Professor” Questlove participated in a Public Forum discussion at the NYU Skirball Center for the Performing Arts on February 26th.
I was unable to attend in person. I learned about the gist of the event from subsequent Web article reports
Professor Questlove is currently teaching a class on classic albums at NYU, educating undergraduates on the merits of Public Enemy and Michael Jackson.
David Byrne is making a musical “Here Lies the Love” at the Public Theater. Byrne wrote the lyrics and music (with help from Fatboy Slim), creating a “fully immersive, 360-degree theatrical experience” equipped with disco beats and contemporary dance.
Brought together to discuss the impact of music in popular consciousness, the Roots drummer and former Talking Heads frontman gave audience members a night to remember, swapping stories from the heydays of their respective careers. Questlove asked Byrne about his early days in New York in the 1970s while the Scottish songwriter probed Mr. Thompson on the genesis of the Philadelphia music scene.
Ahmir “Questlove” Thompson announced during the event that he will release a memoir entitled Mo’ Meta Blues: The World According to Questlove this coming June.
If you consider the immediacy formed between the two artists coupled with their mutual affinity for unique collaborations, it’s realistic to anticipate a Byrne/Questlove project of some dimension in the future.
I caught Johnny Depp‘s appearance on The David Letterman Show last night to promote his production company (Infinitum Nihl) film The Rum Diary. I am glad I stayed awake for Johnny’s interview with Dave as this has re-ignited my passion for Hunter S. Thompson‘s gonzo journalism.
I was happily surprised to discover that the movie The Rum Diary is based upon the “first” novel by the Hunter S. Thompson. Johnny Depp as a close friend of Hunter S. Thompson(to learn more about Johnny Depp’s explosive pal read the Newsweek column Depp wrote) was the first to discover the original pieces of the book while going through a box at Hunter’s home. It was then the pact was struck between the two of them that a film could be made from these writings. Johnny Depp quipped to Hunter S. Thompson that first a book should be published. The Rum Diary was written in the early 1960s but was not published until 1998.
The movie, The Rum Diary was filmed in 2009. The Web site for The Rum Diary is smartly designed, with rich, interactive content that provides an engaging browsing experience. You owe to yourself if you remotely consider this film to peruse the site.
Take a minute to watch the trailer, I found it to be both humorous and strikingly original. We are eagerly looking forward to seeing the movie this weekend.
It’s noteworthy that Johnny Depp plays as a musician on four tracks on the The Rum Diary Soundtrack. He plays some instrumental rockers with his band, the Johnny Depp Band. There is a stark contrast of his musicianship on “The Mermaid Song” which he performs as a solo pianist. The same song is then sung by Johnny Depp’s bohemian kin Patti Smith. “The Mermaid Song” is performed a capella featuring Patti’s unique tonality. Her phrasing coupled with the timbre in her voice is haunting and poignant.