I place a significance on the live concert experience. I thank Bill Graham for formulating live music as an art form. Many music promoters follow in his footsteps with the venues they manage, the fans they cater to and the artists they present to use live in person. But none will ever equal his achievements to the art of presenting live music and supporting humanitarian causes on a macro scale.
Through rock memorabilia, photographs, ephemera, and psychedelic art in the form of the iconic Fillmore concert posters,Bill Graham and the Rock & Roll Revolution explores the momentous cultural transformations of the 1960s–1980s through the lens of rock & roll. The year 2015 marks the thirtieth anniversary of Live Aid and the fiftieth anniversary of Graham’s first-ever concert, as well as the Grateful Dead’s live début. Commemorate these events by celebrating a true pioneer who helped revolutionize rock into the global industry it is today.
John Glatt’s book begins with a foreword by Joshua White who founded the legendary Joshua Light Show. The rock music history that unfolded had a unique illuminated art as its backdrop from the art of Joshua White and his team. I was fortunate to witness this light show at The Fillmore East in June of 1969 at a Jeff Beck Group show I have written about on this blog.
Should you wish to know more about the Joshua Light Show and the team that provided the lighting I refer you to the book, Live at the Fillmore East A Photographic Memoir by Amalie R. Rothschild.
I am eager to acquire John Glatt’s books to add them to my rock music concert library. I am certain his books will be a valuable read of depth and insight. These books are certain to provide invaluable knowledge about how Bill Graham conducted business with the famous rock musicians in the day.
The time is getting closer to when a highly anticipated photography book I want to own becomes available, October 14th to be precise 😉
The Haight: Love, Rock, and Revolution book trailer appeared this morning in my Facebook stream. I was immediately hooked. What I found more compelling than the photographs from Jim Marshall’s Leica was the music underneath, “Who Do You Love (Part 1)” by Quicksilver Messenger Service fits so perfectly. I have been in a Quicksilver/San Francisco magical mood ever since. 🙂
I hope that there is a book signing event with the publisher in New York City next month, fingers crossed. Happy Trails to you until we meet again!
The Animals like many bands have various “Greatest Hits” or “Best of” recordings to choose amongst. I have been listening to The Animals music on Spotify to help determine which of the “Best” recordings to purchase and subsequently have Hilton Valentine sign for us.
I have decided that The Animals Retrospective is the Audio CD collection to order. I base that decision on the fact that the retrospective contains these post Animals and Eric Burdon/War classic hits.
I have always been enamored with the Eric Burdon & The Animals era from 1967-1968. The songs, “San Franciscan Nights”, “Monterey”, and “Sky Pilot” are FM recordings that shape our understanding about the flower power period in American music history.
Christmas is a special time when we receive blessings from the angels that are all around us. A beautiful reunion story of brotherhood, compassion and support comes to us from Oakland, California.
Thanks to the efforts of San Francisco news reporter Stanley Roberts, who came across Marcus Malone earlier this month while reporting on illegal dumpsites for his segment ‘People Behaving Badly’ for the station KRON4.
Marcus Malone, original conguero of The Santana Blues Band from 1967 to 1969 has been living in desolation in Oakland. He has been making do with a parked trailer and harvesting the streets. The vagrant revealed to Stanley Roberts that he was a composer and part-time landscaper who used to play with Carlos Santana’s original band.
Stanley Roberts investigated what he was told and he learned Marcus Malone was indeed telling the truth. He got in touch with Santana Management and arranged for a reunion between Marcus Malone and Carlos Santana.
“But it was appropriate to celebrate and be glad, for this, your brother, was dead, and is alive again. He was lost, and is found.” – Luke 15:32
The reconnection of Marcus Malone with Carlos Santana takes on a special tone in the music of our heart. It turns out that Gregg Rolie has written a song “The Magnificent Marcus Malone”. Carlos Santana has a vision of Marcus Malone getting back in touch with his musical self by making arrangements for Marcus to get an apartment, play some LP congas he will be giving him soon and to have Marcus Malone join Gregg and Carlos on the Santana IV reunion track Gregg has written. I think that is so outasight!
I love the video sequence where Carlos turns Marcus’s hand over and rubs his palm to determine how able Marcus will be to play again. That was one beautiful expression as was the picture Marcus kept in his trailer of the Santana Blues Band that Carlos and he reminisced about.
Marcus Malone co-wrote “Soul Sacrifice” which is a fiery song for Santana all these many years. You can hear Marcus Malone perform on Santana, Live At The Fillmore 1968.
The last studio recording to feature the major vestiges of the original Santana band was Caravanseraireleased in 1972. The cover of Caravanserai featured a journey into the desert sun.
It is only fitting that the 2013 Santana reunion is a renewed “Journey” of exploration out of the Las Vegas desert.
The Santana fan base and the musicians themselves are pumped about the Santana reunion underway by five of the original Santana members, Carlos Santana, Michael Carabello, Gregg Rolie, Neal Schon, and Michael Shrieve.
The Santana Reunion excitement fuse was lit on August 28th at the Pearl Concert Theater at the Palms in Las Vegas. Journey was the scheduled act that evening. The magic shifted when the encore segment took place. Out stepped Carlos Santana and Gregg Rollie to settle into a jam with Journey to everyone’s great delight for five minutes. They played an extended version of a Journey song “LaRaza DeSol” and “Gypsy Queen”. The band then launched into the inspiring instrumental “Soul Sacrifice,” immortalized on the Woodstock soundtrack and concert film.
Neal Schon: We also rehearsed for the 2 days I was here in Vegas with Gregg ,Carlos, Michael Shrieve and Michael Carabello. We recorded and wrote and will go in the studio.
The Rock Poster Society, TRPS (known as Trips) is the world’s largest organized group of rock poster collectors, fans, artists, and dealers. I have been a member of TRPS for three years now. I love the connection with San Francisco, vintage rock posters, and the music woven all together.
One of these days I am going to take the Mrs. to the TRPS Festival of Rock Posters held at the Hall of Flowers in Golden Gate Park in San Francisco, California. It is usually held the first week of October. We have several friends in San Francisco we would love to visit with there as well.
We may not get there in 2013 so it’s a comfort to know that the East Coast holds a similar event at the Brooklyn Bowl in Brooklyn, NY. The Art of Moonalice Poster Show is usually held at the end of October.
If you are not familiar with Moonalice they are a rock band that was formed in 2007. Principally led by Roger McNamee (real-time anthropologist and well-respected venture capitalist) aka “Chubby Wombat Moonalice” they make fantastic use of technology and poster art to state in producing their brand.
Moonalice’s single, “It’s 4:20 Somewhere” has been downloaded more than 3,200,000 times.
Moonalice invented the Twittercast concert, broadcasting links in near real-time for live concerts and at random times for past shows. The band has done 103 Twittercast concerts.
Moonalice is the first band to Mooncast live video of all of its concerts. Having broadcast nearly all 2010 shows to PCs and Macs, the band has upgraded to first band-operated satellite-based HTML system that enables High Definition live video to smartphones and iPads WITHOUT an app!
What I love about Moonalice is their constant and consistent production of top quality concert posters that are distributed at their live concerts. The entire library of their concert posters is viewable online at their Web site.
Rock Art By The Bay – July 20, 2013
I also wanted to point out an upcoming TRPS poster artist show at the Mission Masonic Center in San Francisco. It is FREE to the public!
There is nothing like a Grateful Dead show. The music, the feeling that you experience at their concerts is the most original cosmic force existent.
This magazine does an incredible job in 100 pages of capturing and documenting the 48 years of America’s greatest band. It’s a tremendous value at $11.99 to have a well curated, cross-functional collection of excerpted articles from the original pages of Rolling Stone Magazine.
The trajectory of Jefferson Airplane has produced a very solid flight path across three+ decades of rock and roll.
Legacy Recordings has reissued a double CD, The Essential Jefferson Airplane, Jefferson Starship, Starship, which covers the hits and popular tracks from these various bands from 1966 to 1989
It’s a nice music collection to have handy if you are a fan of any permeation of this group. You get a real sense of the (r)evolution of their sound as they kept current with the times, the fashions etc.
I find myself growing fond of this track from Jefferson Starship’s Spitfire
Take a journey over to the just launched Jerry Garcia Web site . You’ll find it more than a long strange trip its been 😉
The Jerry Garcia Web site accomplishes two main objectives on behalf of its visitors, 1) Rich content about Jerry Garcia’s life, friends and accomplishments, 2) A creative, engaging shopping experience.
The site is designed by Third Door, Inc. I am surprised to learn how many popular music artist sites have been designed by Third Door’s David Maier. David’s choice of tools as a graphics and Web designer map to the Web software I plan to become more skilled in using in 2013 and beyond. The site was constructed with WordPress for content management, Adobe PhotoShop for images and Adobe Dreamweaver for HTML/HTML5 coding.
The Web site has a product tie-in promotion with the first release from the newly launched Garcia Live series which features a recording from the historic Capitol Theatre in Passaic, New Jersey on March 1, 1980.
My first assessment of the jerrygarcia.com Web site is based upon the following viewpoint/criteria.
Shopping Experience – A+
The Jerry Garcia Store is a standout section. It is tightly coupled with the Garcia official merchandise offered through their exclusive arrangement with MusicToday for ordering/fulfillment. Products were easy to view with the Zoom feature available for closer articulation.
Fan level information – B+
The Timeline section has 97 posts but lacks an evolutionary dated timeline for context and correlation (suggestion…). The content offers in depth reading and visual images that drive the reading experience well.
My favorite image is the black and white photograph of Jerry Garcia playing the pedal steel guitar. The Bio is nicely summarized. I would have liked to have seen a Web link to Wikipedia or another more substantive biography about Jerry.
The News section is very initial with just 4 posts. But it is only Day 1 for the site ;).
Multimedia content – A+
The Music, Artwork and Video sections meld together in cohesive fashion. The Music section offers a cover art jump point to a second page with music vendors, song listings and just the right level of social network icons for now.
The Artwork area is a gem and it is a good first level representation of an evolving Gallery area. I suggest an Amazon link on this page to the coffee table book, Jerry Garcia: The Collected Artwork for visitors (I just love leafing through that book!)
The Video section knocked me out. The highlight for me was Jerry Garcia’s 70th Birthday. I was unable to watch Move Me Brightly on TRIStudios this past August. I am pumped to see the 17:47 video highlight featured on the Video page.
Usability – A
The Web site fully leverages responsive design and WordPress content management effortlessly. The images are compelling and never oversized or stretched. Navigation is straight forward and relaxing. It represents a landscape book with a menu as table of contents off to the left side, unobtrusive but accessible.
The page design varies between various postings or single Photoshop images of Jerry that are warm testimonies of him.
Responsive design is available throughout the Web site, which makes this a technology appealing visual, audio, video experience.
I have anticipated the Jerry Garcia Web site for sometime now and I wasn’t disappointed one iota!
Great work team! I look forward to the content evolution from here on out.