The end of era the Passing of legendary photographer Bob Seidemann. Bob took some of the most iconic photos of the 1960s. A true visionary that was able to capture the mood of the 60’s in eye of a lens.
While still living in New York, Seidemann learned how to take pictures from a dance-photographer named Tom Caravaglia, and his career behind a lens blossomed in San Francisco, where he was drawn to the city’s psychedelic music scene. In particular, he got tight with the members of Big Brother and the Holding Company, with whom he lived for a while in nearby Marin County, and Jerry Garcia of the Grateful Dead, for whom he designed the cover of the incomparable guitarist’s first solo album. By the late 1960s, Seidemann was famous—in some circles, infamous—as a rock photographer.
“To be honest with you, I wasn’t very interested in…
Jim Marshall is known as the defining father of music photography and his intimate photographs of the greats of rock & roll, country, folk, blues and jazz are legendary. Renowned for his extraordinary access and ability to capture the perfect moment, his influence is second to none. In 2014, Marshall became the only photographer ever to be honored by the Grammys with a Trustees Award for his life’s work.
Published here for the first time ever are Marshall’s jazz festival photographs from the 1960s, which capture the crowd, the performances and unguarded moments with jazz icons such as Thelonious Monk, John Coltrane, Miles Davis, Nina Simone, Ray Charles and many more.
Over 95% of the material in this breathtaking volume has never been seen before. Marshall’s remarkable photographs of the festivals at Newport and Monterey immortalize the unique energy and soul of these celebrations of jazz. Complete access to Marshall’s vast archive has been granted for this book. It includes a foreword by President Bill Clinton and an introduction by renowned jazz writer Nat Hentoff, and is designed by art director Graham Marsh (The Cover Art of Blue Note Records, Hollywood and the Ivy Look). This is the first in a series of books to be published by Reel Art Press in collaboration with the Jim Marshall Archive.
Jim Marshall (1936–2010) was born in Chicago. While still in high school, he purchased his first camera and began documenting musicians and artists in San Francisco. Over a 50-year career he created hundreds of legendary images that came into public consciousness through magazine features, more than 500 album covers and six books: Monterey Pop, Not Fade Away, Proof, Jazz, Trust and Pocket Cash.
From Thelonious Monk to John Coltrane, Miles Davis to Nina Simone, Jim Marshall’s defining photographs of the 1960s jazz scene
There was a time in New York City Rock History when The Fillmore East and the Academy of Music were THE Rock Palaces where rock music ruled the planet. Both venues were based in the East Village, not too far apart from each other.
Thanks to Morrison Hotel Gallery in SoHo we can revisit that era through the art of the rock photographer’s camera lens.
On Thursday, May 7th from 7-9pm at the Morrison Hotel Gallery, located at 116 Prince Street in SoHo, there will be an opening reception of an exhibition of photography by Amalie R. Rothschild and Bill Green. This show features photographs shot at the Fillmore East and the Academy of Music here in New York City. You may RSVP HEREby email.
John Glatt’s book begins with a foreword by Joshua White who founded the legendary Joshua Light Show. The rock music history that unfolded had a unique illuminated art as its backdrop from the art of Joshua White and his team. I was fortunate to witness this light show at The Fillmore East in June of 1969 at a Jeff Beck Group show I have written about on this blog.
Should you wish to know more about the Joshua Light Show and the team that provided the lighting I refer you to the book, Live at the Fillmore East A Photographic Memoir by Amalie R. Rothschild.
I am eager to acquire John Glatt’s books to add them to my rock music concert library. I am certain his books will be a valuable read of depth and insight. These books are certain to provide invaluable knowledge about how Bill Graham conducted business with the famous rock musicians in the day.
The time is getting closer to when a highly anticipated photography book I want to own becomes available, October 14th to be precise 😉
The Haight: Love, Rock, and Revolution book trailer appeared this morning in my Facebook stream. I was immediately hooked. What I found more compelling than the photographs from Jim Marshall’s Leica was the music underneath, “Who Do You Love (Part 1)” by Quicksilver Messenger Service fits so perfectly. I have been in a Quicksilver/San Francisco magical mood ever since. 🙂
I hope that there is a book signing event with the publisher in New York City next month, fingers crossed. Happy Trails to you until we meet again!
I discovered an invaluable rock photography publication for my music book collection. Bob Minkin, music photographer/historian has curated and published with Insight Editions an authoritative photography book, LIVE DEAD.
LIVE DEAD is a stunning 224 page hardcover coffee table book spanning almost 40 years of epic Grateful Dead photos and stories by Bob Minkin. The book will ship October 2014, preorders being accepted now.
Bob Minkin’s photographs have appeared internationally on CDs and DVDs, and on the covers and insides of many magazines and books. His clients have included Time Magazine, Rolling Stone Magazine, Entertainment Weekly, Guitar World, Guitar Player and Grateful Dead Productions.
I love the immediacy of Jim Marshall‘s photographs. I own several of the late Jim Marshall’s music photography books. I treasure what his camera lens captured for rock music legacy.
Speaking of cultural history later this year we will have a new book of photographs culled from the archives of Jim Marshall, The Haight: Love, Rock, and Revolution.
Here is the book’s description from the publisher, Insight Editions.
Widely regarded as the cradle of revolution, California’s Haight-Ashbury grew in the sixties from a small neighborhood in San Francisco to a worldwide phenomenon. Legendary photographer Jim Marshall visually chronicled this area as perhaps no one else did. Renowned for his powerful portraits of some of the greatest musicians of the era, in this one-of-a-kind book the full extent of Marshall’s Haight-Ashbury work is stunningly displayed: live concerts, powerful candids, intimate sessions with icons of the day, street scenes, crash pads, and more.
Featuring hundreds of images, from Bill Graham, Bob Dylan, Jimi Hendrix, Janis Joplin, and Jefferson Airplane to Carlos Santana, Donovan, The Beatles, Allen Ginsberg, and Timothy Leary, The Haight tells the complete and comprehensive story of the revolutionary aspects of the day. Written by bestselling San Francisco music journalist Joel Selvin, the story behind each of these incomparable images is disclosed through an intimate and revealing narrative, lending the images a fascinating context and perspective.
I welcome this future book and the history it portrays.
The music of our heart loves the photographic beauty captured through the lens of Linda McCartney.There is a new retrospective of her work featuring 190 of her iconic photographs. The Linda McCartney show is on view at the Kunst Haus Wien Museum in Vienna, Austria until October 6, 2013.
The curatorial work has been done by members of the McCartney family and Andreas Hirsch, curator of Kunst Haus Wien, in collaboration with Claudia Schmid of Linda Enterprises Ltd.
Paul McCartney, his wife Nancy and his brother Michael attended opening night. You can get more insight about that evening here.
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