Eyes of the World: Grateful Dead Photography 1965 – 1995is a fine art, hardcover coffee table photography book that brings together, for the first time, a comprehensive collection of photographs from a lot of photographers whose work has captured the Grateful Dead at different times throughout their career.
Co-Edited by former Relix editor-in-chief Josh Baron and famed rock photographer Jay Blakesberg, Eyes of the World will be released October 23, 2017, via Rock Out Books.
Shocking as it may seem—particularly given the unparalleled job the band’s shepherds did in documenting its history—until now there has been no definitive visual reference encompassing the 30-year career of the Grateful Dead.
Over the course of six months of research, Baron and Blakesberg reached out to more than 100 photographers (or in some cases, their representatives) to see if they’d be willing to give their images for review.After much deliberation, countless conversations and 32 versions of the eventual layout, they landed on 220 images captured by 61 photographers across 272 pages that would become Eyes of the World, the book.
Photographers featured in Eyes of the World include such legendary names as Annie Leibovitz, Jim Marshall, David Gahr, Mark Seliger, Herb Greene, William Coupon, Michael O’Neill, Adrian Boot, Michael Putland, Peter Simon, Baron Wolman and, of course, Jay Blakesberg. Included in the collection are iconic images, lesser-known photos, and never-seen-before seen images – each of them a singular perspective of a poignant moment that together helps tellthe Grateful Dead’s epic tale through large, bold imagery.
It’s the 1980s, and the Dead’s fans seek adventure in this “New Lame America” as Garcia calls it.
I especially liked the segment where Senator Al Franken highlighting his favorite live edition of “Althea”, recorded at the Nassau Coliseum, Uniondale, NY, 5/16/1980 and included on the Rhino release of the Long Strange Trip Soundtrack.
I’m looking forward to a new biography due to release on November 15, 2016. ‘Bear: The Life and Times Of Augustus Owsley Stanley III’ written by Robert Greenfield, a music author/journalist I deeply respect.
First-hand reflections from Bob Weir, Phil Lesh and Jerry Garcia are included in the book which comes from the author of Dark Star: An Oral History Of Jerry Garcia. Greenfield also penned Exile on Main St.: A Season in Hell with the Rolling Stones and collaborated with impresario Bill Graham on Bill Graham Presents: My Life Inside Rock and Out.
Augustus Owsley Stanley III, better known by his nickname, Bear, was one of the most iconic figures in the cultural revolution that changed both America and the world during the 1960s.
Owsley’s high-octane rocket fuel enabled Ken Kesey and his Merry Pranksters to put on the Acid Tests. It also powered much of what happened on stage at Monterey Pop. Owsley turned on Pete Townshend of The Who and Jimi Hendrix. The shipment of LSD that Owsley sent John Lennon resulted in The Beatles’ Magical Mystery Tour album and film.
Convinced that the Grateful Dead were destined to become the world’s greatest rock ‘n’ roll band, Owsley provided the money that kept them going during their early days. As their longtime soundman, he then faithfully recorded many of the Dead’s greatest live performances and designed the massive space age system that came to be known as the Wall of Sound.
Pre-order “Dear Jerry: Celebrating the Music of Jerry Garcia” today!
Dear Jerry: Celebrating The Music Of Jerry Garcia was recorded live at Merriweather Post Pavilion in Columbia Maryland on Thursday, May 14, 2015. This historic one-night concert event honored the music of Jerry Garcia, one of the most influential musicians and cultural icons of our time.
The two and half hour concert film and available audio recordings feature over 20 once-in-a-lifetime performances from this momentous event by Phil Lesh & Communion, Bob Weir, Bill Kreutzmann’s Billy & the Kids, Mickey Hart, Eric Church, Jimmy Cliff, The Disco Biscuits, Peter Frampton, David Grisman, Jorma Kaukonen, Los Lobos, Buddy Miller, Moe., O.A.R., Grace Potter, Allen Toussaint, Trampled By Turtles, Widespread Panic, and Yonder Mountain String Band.
Captured and presented in stunning HD with true Dolby 5.1 surround stereo, the full length concert film and available audio records include some of Garcia classics, like ‘Touch of Grey’, ‘Friend of The Devil’, ‘The Wheel’ and more.
I am thrilled that Bob Weir will soon release a new solo album of original songs. The work is titled, ‘Blue Mountain‘ and will be available on September 30th.
Bob Weir is a hard-working musician. His collaborative musical abilities ring profoundly in the Music of Our Heart.
The release will be his first album of entirely original material in thirty years. Producer Josh Kaufman partnered with Weir on the album, which features songwriting collaboration with Josh Ritter and performances from guitarists Aaron Dessner and Bryce Dessner and bassist Scott Devendorf. The album features twelve new songs that draw on Weir’s earlier experiences working on a ranch in Wyoming as a teenager. Weir will be performing in support of the album this fall on his “Campfire Tour.”
There will be at least one song co-written with John Perry Barlow who has been instrumental in Bob Weir’s cannon of music.
Blue Mountain Tracklist:
01. Only a River
02. Cottonwood Lullaby
04. Lay My Lily Down
05. Gallop on the Run
06. Whatever Happened to Rose
07. What the Ghost Towns Know
08. Darkest Hour
09. Ki-Yi Bossie
10. Storm Country
11. Blue Mountain
12. One More River To CrossBob Weir 2016 Tour Dates:
10/07 – San Rafael, CA @ Marin County Civic Center
10/08 – Oakland, CA @ Fox Theater
10/10 – Los Angeles, CA @ The Wiltern
10/12 – Upper Darby, PA @ Tower Theatre
10/14-15 – Brooklyn, NY @ Kings Theatre
10/16 – Port Chester, NY @ The Capitol Theatre
10/19 – Nashville, TN @ Ryman Auditorium
This blog post is about The Capitol Theater resurgence in Portchester, New York.
The San Francisco Scene on the East Coast
When I look back on the concerts I attended at The Capitol Theater I was thankful to see the psychedelic sounds of San Francisco were well represented.
Our first concert at The Capitol featured Santana and John Lee Hooker at the late show on Friday June 12, 1970. We bought the tickets late and got seated in the balcony. You had a great seat no matter where you sat as the vantage points were all conducive for the stage. John Lee Hooker opened for Santana. I am embarrassed to say that I wasn’t a patient concert goer like I am today. We were rude to the great bluesmen and kept shouting for Santana. I regret my actions that night and wish I treasured John Lee Hooker’s set more than I did. It turns out that was the only time I got to see him play.
When he came back out for an encore we groaned but let me tell you this, he schooled us that night. He did a rendition of “One Bourbon, One Scotch and One Beer” that included the boogie blues beat that enthralled me. He turned me around with that number and I was cheering for him when he left the stage. Little did I realize how much Carlos Santana respected John Lee Hooker until years later when they recorded The Healer together.
Santana ripped the roof off The Capitol that evening. I recall they were bathed in a warm red light most of the night. I owned the first album Santana and played it all the time on my hi-fi system. Their percussive sound formed a rhythmic beat that kept us dancing out of our seats.
I didn’t see Santana in concert again until 2002, 32 years later. I have seen them live 15 times since the first show in Portchester. They are my favorite band and I have every one of the Santana recordings in my music library. 42 years of music and still going strong, Viva Santana.
The next concert by a band from San Francisco was our first concert by The Grateful Dead on November 7, 1970. I was sitting in the balcony the night of the Santana show when the sound system started playing Workingman’s Dead. The announcer stated that The Grateful Dead would be playing a bunch of dates at The Capitol in November. I ran right downstairs to the lobby box office and purchased our tickets for the third row.
Seeing The Grateful Dead and the New Riders of the Purple Sage that close was a pretty awesome deal. NRPS featured Jerry Garcia on pedal steel guitar. Jerry played right in front of us and he was spectacular on pedal steel guitar. He loved playing that instrument. He smiled throughout the entire NRPS set. I was especially taken with the vocals by John “Marmaduke” Dawson on “Last Lonely Eagle”.
The Grateful Dead played from 9:00 pm until 4 am the next morning, which was an incredible feat. I loved the energy the band gave off and how cosmic it all felt. You could tell they loved playing The Capitol. I loved the people twirling in the lobby and how happy everyone was to be there. I am glad this show was taped and I can play it often to relive the experience.
The following week Jefferson Airplane pulled into town. We attended the late show on November 13, 1970 which featured Jefferson Airplane, Hot Tunaand E Pluribus Unum. I was excited to catch Jefferson Airplane with Grace Slick on vocals, along with Marty Balin. They were a powerful combination with Jorma and Jack playing behind them. The JA set was a classic music choice of their catalogue. Hot Tuna was a surprise that night and they also featured Papa John Creach on fiddle.
We would see Hot Tuna again January 20, 1971 on a cold winters night. They headlined for a bill that featured Big Brother and the Holding Company and John Hammond. The funniest part of that show was that there were so few people in The Capitol due to the snow storm that we were invited to stay for the second show, which we did. The guy behind us tried to get an encore from Hot Tuna but Jack Cassady just told him come to the second show, its free 😉