Produced by Emmy award-winning Banger Films,ZZ TOP: THAT LITTLE OL’ BAND FROM TEXAS, a story of how three teenage bluesmen Billy Gibbons, Dusty Hill, and Frank Beard became the biggest, most beloved band on the planet. ZZ Top maintains a surrealist mystique that continues to intrigue fans and entice onlookers 50 years on.
The film in addition has an intimate performance at legendary Gruene Hall shot exclusively for this documentary. “That Little Ol’ Band” above all runs the gamut, from squalid Texas bars to MTV heroics. This documentary in conclusion is the extraordinary tale of a band whose image we know and story we don’t.
The eponymous album Led Zeppelin was released in the United States on this day in rock history, 50 years ago, January 12th, 1969.
I first learned of Led Zeppelin in the fall of 1968 from a friend in high school, Tom Stein. He had a friend or relative (can’t remember which) in England who shared the excitement Led Zeppelin was creating across the pond. Finally I heard the album in December on WNEW-FM New York City’s premier rock station. It was featured in heavy rotation on DJ Scott Muni‘s, “Things From England” show. I was hooked.
I bought this record straight away and took this 12″ LP everywhere I went for the next few months as you can see from the back cover.
I played Led Zeppelin again today through my iPhone XR via Apple Cloud Music and headphones on my morning walk. It still sounds fresh and brilliant as ever!
The Tedeschi Trucks Band carries on the road tradition of The Allman Bros. Band as does Gov’t. Mule. Both groups have strong followings, possessing amazing musical depth combined with unique versatility.
Live From The Fox Oakland, is TTB’s latest recording available in a live concert and audio media CD/DVD format.
Album Track List
Don’t Know What It Means
Keep On Growing
Bird On The Wire
Within You, Without You
Just As Strange
Crying Over You
These Walls (featuring Alam Khan)
Right On Time
Don’t Drift Away
I Want More (Soul Sacrifice outro)
I Pity The Fool
Let Me Get By
Watch the video of the set closer, “Let Me Get By”
Omnivore Recordings has released all four sets recorded that weekend in a four CD box set “Performance: Rockin’ the Fillmore-Complete Recordings”.
“My God, it just took my breath away,” Jerry Shirley said of hearing the new mixes by engineer Ashley Shepherd. “You feel like you’re sitting in the Fillmore East, five or six rows back. In the quiet bits, you could hear a pin drop, and in the loud bits, you can almost feel the room shaking. And all four shows caught Steve at the absolute zenith of his powers. It’s astonishing. I’m only sorry that he, Greg, and Dee aren’t around to enjoy it with the rest of us.”
“It was amazing to hear the new mixes of these shows after all these years,” says Peter Frampton. “This really was that version of Humble Pie at the peak of its powers—playing in a venue with a wonderful vibe.”
The Dead Weather (Alison Mosshart, Jack White, Dean Fertita and Jack Lawrence) have released a streaming edition of “Open Up (That’s Enough)” on YouTube. It’s hauntingly fresh electric.
Originally announced on October 2, 2013 as two BRAND NEW studio recordings from The Dead Weather. “Open Up (That’s Enough)” b/w “Rough Detective” are unlike anything else the band has ever done and are both ample reminders of the ferocity of this motley collection of low-lifes, grifters and ne’er-do-wells. These songs are not throw-aways. These songs are not demos. These songs are not outtakes.
The 7″ was ONLY available via Vault subscription (Sold Out). No other 7″ of these songs will be made. The whole thing is pressed on striking yellow jacket vinyl and coupled with a custom glue-pocket picture sleeve, a slight shift from the Vault’s usual die-cut company sleeves.
Is there more to come from this collaboration? Yes there is. The Dead Weather’s plan is to record and release two-song sets until 2015 at which time they will release a full album that has these singles plus many more album-only tracks. It’s a unique long-term plan for new music from this incendiary group. The songs WILL be released digitally, but not until Vault packages have been dispatched to subscribers. As Third Man Records explains, “It’s a unique long-term plan for new music from this incendiary group… The goal is that physical copies are out there first.”