A Peter Strain Illustration
Disruption is a positive and necessary phase in the human evolution. Who better than David Lynch to lead the charge in October in LA. I’d love to attend this event as a major fan of David Lynch’s genius.
I see the music of Twin Peaks, which I find hauntingly beautiful, will be performed at this event.
Björk’s MoMA Exhibition
Björk’s exhibition at MoMA in New York City opens to the public this weekend on Sunday March 8th. My interest in music technology is peaking about how this exhibit has been curated and constructed. I will be writing a separate blog post about Björk’s projects from a technology design perspective later today.
Suffice it to say we are eager to attend this multimedia retrospective in the near future. My understanding is that only 100 people can attend at a scheduled interval. Which I am fine with as I dislike crowded MoMA Exhibitions.
I have included the teaser video of “Black Lake” from Vulnicura for your viewing and listening benefit.
Björk’s Black Lake Trailer – MoMAvideos
“Black Lake” is a new sound and video installation commissioned by The Museum of Modern Art on the occasion of the exhibition Björk (March 8–June 7, 2015; Member Previews, March 4–7). The song “Black Lake” appears on Björk’s new album “Vulnicura” (2015).
“Black Lake” is described by Rolling Stone as an “immersive 10-minute music and film experience” It is a collaboration between director Thomas Huang, who worked with the artist on her video for Mutual Core and 3D design company Autodesk.
It’s always a tough choice when the Christmas shopping season kicks in to choose just the right music box set. I have not done the proper due diligence yet of researching what box sets are for purchase this season. I will conduct that analysis this weekend.
My first request with Santa Claus is to receive The Velvet Undergound 45th Anniversary Super Deluxe Edition. I watched the video review by Alexis Petrides of The Guardian and it helped convince me to listen to the recording more intently. http://www.theguardian.com/music/video/2014/nov/28/velvet-underground-album-you-should-hear-video-review
The live tracks are phenomenal!
Moonalice Interview: Music Technology and Art Discussion with Roger McNamee
Moonalice continues their 2014 East Coast Tour this week. The band will be performing concerts in Connecticut and New York. I urge you if you are in the vicinity of any of these events to come out and see Moonalice perform live.
I had a 75-minute Web discussion with Roger McNamee last week. I am providing “teaser” highlights of the interview that further explains Moonalice’s command of music technology. The next intent is to publish the “entire interview” along with the Moonalice Infinity Music Hall July 31st concert review at the end of the week.
It was my sincere hope that Roger McNamee and I would mesh as music technologists and rock music poster fans. When you read the interview Q&A I’m proud to say that goal was met. Roger is an affable person who openly shared his love for music, people, society and art throughout our conversation.
Question 1: Does Moonalice plan to make recordings available in high-resolution audio for Neil Young‘s PonoMusic?
Roger: It’s a great question. When we did our first album, Moonalice with T Bone Burnett the answer was an emphatic Yes! We recorded it on an optimized audio DVD with the music in high-resolution stereo 24/96 WAV. The expectation was that you had a mega DVD which had images that went by while you were listening to it, etc. As it turned out T Bone Burnett was nominated for a Grammy as Producer of the Year for our album and T Bone Burnett’s recording. His pioneering work with packaging, high-resolution and high-end masters gained him that recognition. (The album was produced using XOΔE (CODE), a high fidelity audio standard and optimization system created by Producer Burnett.)
We’re very focused on high-definition video, 1080p and we embed the audio into the video so the high-resolution audio is there. When we got started T Bone, Bono and I were working on a project designed to help artists in a very meaningful way. The first album started us on this commitment with what I knew about technology and anything that came along to see what we could do with it. This notion where we can produce live concert videos at 10% of normal cost was really exciting, the math starts to be pretty interesting.
Can I just tip my hat to you? You are the first person to ask me about high-definition audio and its significance in at least five years.
Questions 2: What is the next technological achievement that you seek to achieve with Moonalice?
We’re more likely to do vinyl before we do another experiment in high-resolution audio. Within our fan base there is a really serious market for vinyl. I believe oddly enough a larger percentage of our fans would be interested in ultra high-definition audio if we could figure out how to deliver it. (We discussed Neil Young and PonoMusic at length which I will include in the full Web audio interview.)
Question 3: I wanted to ask if you would give more information about the Haight Street Art Center?
We created the Haight Street Art Center, okay. The reason you can’t find any information about it is because we haven’t said anything. But I’m really happy to talk about it. The original notion is that I am somebody who has always loved studio art. I always loved poster art from the first time I saw it in the sixties. When I moved to San Francisco in the seventies I had no money at all. But posters weren’t expensive in those days you could get one for $15, a first printing was $25, I could afford that.
T Bone told us we should be part of the San Francisco psychedelic roots ethos. I suggested we should be doing rock poster art. I spoke with Chris Shaw, a natural leader with great organizational skills about how can we create posters for the band. Chris then helped us produce a poster for every show, 100 posters a year and we’re up to 735 different posters now. Wow!
We’ve now had 24 posters artists do posters for us, at least half get 50-100% of their income from that poster art. The problem became how do we get their poster art to be appreciated as fine art and put them in a position to make fine art.
What I realized is that we had to move from doing mass volume posters in offset printing to make great screen art and lithographs. What really came together was that we needed a museum, promotional infrastructure and printing capabilities. The Haight Street Art Center becomes that reality. (There is more to this benevolent art story which I will share later this week.)
The music coffee table book that you will want to sink your teeth into is 101 Essential Rock Records, The Golden Age of Vinyl From The Beatles by Jeff Gold.
This volume is a tribute to the vinyl album and celebrates 101 of rock’s most influential records — from The Beatles’ 1963 début Please Please Me — through the Sex Pistols’ Never Mind the Bollocks (1977.)
The book also features contribution writings from musicians Devendra Banhart, David Bowie, Peter Buck (R.E.M.), Nels Cline (Wilco), Robyn Hitchcock, Johnny Marr (The Smiths), Graham Nash, and Suzanne Vega.
The book documents a period in recorded music where vinyl ruled with commanding authority. I love that it was a time when I was a rabid music collector and listener. I am proud to say that I own 60 of the 101 essential rock records 🙂 The book brings back the feelings of going to the record store to buy the rare cover edition of Blind Faith sold to me in a brown paper bag.
Jeff Gold is my new hero. He writes with such passion and conviction. It’s no wonder he is profiled by Rolling Stone as one of five “top collectors of high-end music memorabilia”.
Gold owns the music collectibles website Recordmecca.com, and writes about topics of interest to collectors on its associated blog. By the way the Web site is awesome!
This is a book you will want to squirrel away quality reading and listening time with as you explore the essential records.
There is a companion 101 Essential Rock Records Web site where you can see full sample pages of the four page spreads of the respective albums.
So here is the list in chronological order of the 101 Essential Rock Records, see how many you can check off 😉
101 Essential Rock Records
1. The Beatles – Please Please Me
2. Bob Dylan – The Freewheelin’ Bob Dylan
3. The Rolling Stones – The Rolling Stones
4. Bob Dylan – Another Side of Bob Dylan
5. Davy Graham – Folk Blues & Beyond…
6. Them – Angry Young Them
7. The Byrds – Mr. Tambourine Man
8. Bob Dylan – Highway 61 Revisited
9. The Who – My Generation
10. Simon & Garfunkel – Sounds of Silence
11. The Rolling Stones – Aftermath
12. The Beach Boys – Pet Sounds
13. Bob Dylan – Blonde On Blonde
14. The Mothers of Invention – Freak Out!
15. Yardbirds – Yardbirds
16. John Mayall with Eric Clapton – Blues Breakers
17. The Butterfield Blues Band – East West
18. The Beatles – Revolver
19. Jefferson Airplane – Takes Off
20. The Kinks – Face to Face
21. The 13th Floor Elevators – The Psychedelic Sounds Of
22. Laura Nyro – More Than A New Discovery
23. The Doors – The Doors
24. Jefferson Airplane – Surrealistic Pillow
25. The Velvet Underground & Nico – The Velvet Underground
26. Grateful Dead – Grateful Dead
27. The Jimi Hendrix Experience – Are You Experienced?
28. The Beatles – Sgt. Pepper’s Lonely Hearts Club Band
29. Moby Grape – Moby Grape
30. Tim Buckley – Goodbye and Hello
31. Pink Floyd – The Piper At The Gates of Dawn
32. Buffalo Springfield – Again
33. Love – Forever Changes
34. Cream – Disraeli Gears
35. Traffic – Mr. Fantasy
36. The Who – The Who Sell Out
37. Leonard Cohen – Songs of Leonard Cohen
38. The Velvet Underground – White Light/White Heat
39. Fleetwood Mac – Fleetwood Mac
40. The Incredible String Band – The Hangman’s Beautiful Daughter
41. The Zombies – Odessey & Oracle
42. Small Faces – Ogden’s Nut Gone Flake
43. The Band – Music From The Big Pink
44. Grateful Dead – Anthem of the Sun
45. Jeff Beck – Truth
46. Big Brother & The Holding Company – Cheap Thrills
47. The Byrds – Sweetheart of the Rodeo
48. The Jimi Hendrix Experience – Electric Ladyland
49. Van Morrison – Astral Weeks
50. The Beatles – The Beatles (White Album)
51. The Pretty Things – S.F. Sorrow
52. The Pentangle – Sweet Child
53. The Soft Machine – The Soft Machine
54. Creedence Clearwater Revival – Bayou Country
55. Led Zeppelin – Led Zeppelin
56. The Flying Burrito Bros. – The Gilded Palace of Sin
57. MC5 – Kick Out The Jams
58. Sly And The Family Stone – Stand!
59. Neil Young With Crazy Horse – Everybody Knows This Is Nowhere
60. Alexander Spence – Oar
61. The Who – Tommy
62. Crosby, Stills & Nash – Crosby, Stills & Nash
63. Captain Beefheart & His Magic Band – Trout Mask Replica
64. Blind Faith – Blind Faith
65. Jethro Tull – Stand Up
66. The Stooges – The Stooges
67. Nick Drake – Five Leaves Left
68. King Crimson – In The Court of The Crimson King
69. Vashti Bunyan – Just Another Diamond Day
70. Fairport Convention – Liege & Leaf
71. The Move – Shazam
72. James Taylor – Sweet Baby James
73. Black Sabbath – Black Sabbath
74. Emerson Lake & Palmer – Emerson Lake & Palmer
75. David Bowie – The Man Who Sold The World
76. Cat Stevens – Tea For The Tillerman
77. Carole King – Tapestry
78. Can – Tago Mago
79. Yes – The Yes Album
80. Joni Mitchell – Blue
81. The Allman Brothers Band – At Fillmore East
82. Genesis – Nursery Cryme
83. Faust – Faust
84. The Rolling Stones – Exile On Main St.
85. David Bowie – The Rise And Fall of Ziggy Stardust and the Spiders From Mars
86. Pink Floyd – The Dark Side of the Moon
87. Roxy Music – For Your Pleasure
88. Iggy And The Stooges – Raw Power
89. New York Dolls – New York Dolls
90. Big Star – #1 Record
91. Kraftwerk – Autobahn
92. Bruce Springsteen – Born To Run
93. Patti Smith – Horses
94. Ramones – Ramones
95. The Modern Lovers – The Modern Lovers
96. AC/DC – Dirty Deeds Done Cheap
97. Fleetwood Mac – Rumors
98. The Damned – The Damned
99. The Clash – The Clash
100. Talking Heads – Talking Heads: 77
101. Sex Pistols – Never Mind The Bollocks Here’s The Sex Pistols