Björk’s Immersive Audio Experience


Björk stimulates my music technologist sensibilities with her innovative design complemented by intriguing uses of technology and sound.

I don’t know exactly who the MoMA audience is, to be honest, but I’ve been having an imaginary audience, which is sort of the average person who doesn’t listen to music that much. She goes on a weekend trip with her family to MoMA and discovers sound a little bit, and she thinks, Oh, I actually love this. Sound waves going through my body: It feels nice! I’m going to listen to some more music. – Björk, from a recent interview with Rob Runner of Fast Company Magazine 

The Björk MoMA Retrospective was architected by chief curator Klaus Biesenbach.

One particular technology immersion, among many in the exhibition is the centerpiece, “Songlines,” fascinates me greatly. It is a 40 minute sensory audio journey through Björk’s music and psyche. Visitors wear headphones (see more below about the specifics) connected to Bluetooth beacons, which find them through the space, cuing the proper songs and visuals. The technology was adapted by Volkswagen, a sponsor of the show, from a hands-free program it made to soundtrack driving.

Headphone audio pioneer Dysonics today announced that its Bluetooth-enabled motion sensor, RondoMotion, will be used for the immersive audio section of the Björk exhibition at New York’s Museum of Modern Art (MoMA), March 8, 2015 – June 7, 2015.

RondoMotion is the world’s first wireless motion sensor for headphones. Björk is a retrospective that draws from more than 20 years of the artist’s daring and creative career, offering an experience of music in many layers, with instruments, a theatrical presentation, an immersive sound experience, a focused audio guide, and related visualizations.

RondoMotion attaches easily to any over-the-ear headphones, immersing listeners in a reactive, dynamic audio environment. Björk attendees will wear Bowers & Wilkins headphones equipped with a RondoMotion sensor, and will enter a 360 degree motion-tracked audio environment that syncs with striking visual elements as they move throughout the exhibit’s “Songlines” section.

Image: Justin Lane/EPA

“Accurately tracking listener head movement with RondoMotion allowed our team to create a new level of immersion and engagement for listeners experiencing the Björk ‘Songlines’ psychoacoustic augmented audio installation at MoMA,” said Björk “Songlines” project collaborator Andrew Melchior.


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