I become intimidated when it comes to writing about Bob Dylan. I chalk that up to the fact that there are music journalists who write more authoritatively about Bob Dylan than I ever could hope to accomplish. They are the writers I have been reading and following for decades, Dylan musicologists if you will.
I noticed in my Facebook stream this morning that there would be breaking news about Bob Dylan’s next music project release, The Bootleg Series, Vol. 10 – Another Self Portrait (1969-1971).
Read more: http://www.bobdylan.com/us#ixzz2ZDvftiRc
I am enthused to learn that the Bob Dylan bootleg series curation was revisiting the era of the Self Portrait and New Morning recordings. The years 1969 and 1970 figured strongly in my life as well as the evolution of popular music. I purchased both albums when they were released. I didn’t connect very well with Self Portrait but New Morning was a warm and constant phonograph companion.
The Bootleg Series, Vol. 10 – Another Self Portrait (1969-1971) has helped me to reacquaint the music of our heart with the original tracks on Self Portrait and New Morning. My first order of business was to relisten beginning to end to those recordings so I can better appreciate what Another Self Portrait creates for us.
I did not fathom that Bob Dylan had just a small nucleus of musicians on Self Portrait, notably David Bromberg and Al Kooper. They each appear on the Another Self Portrait trailer speaking about the sessions and music recorded.
As the trailer audio indicates we are in for some astounding music to make clear our understanding about this phase of Bob Dylan’s recording career.
I mean after all aren’t we all entitled to Another Self Portrait in this life. Right Greil Marcus : -J
- ArtsBeat: Latest in Bob Dylan’s Bootleg Series, ‘Another Self Portrait,’ Coming in August (artsbeat.blogs.nytimes.com)